Monday, April 28, 2008
Sunday, April 20, 2008
Friday, April 18, 2008
Mingei and the Microwave
Mingei inspired arrtists, (like myself), make work that can go into the microwave,
but some specialty work cannot.
There is nothing inferior about silk or wool just because you can't wash it in the automatic
washer. They need educated care. As do tea bowls.
The whole point of using fine handmade things instead of
factory/industrial made things, is the mindfulness required to use
them. If it weren't for aesthetics, we might as well use plastic.
Labels: mingei folkcraft
Tradition and The Modern.
Folkways and modern technology are equally valid.
They have different strengths. The old ways are great for innovation and coming up with new things. Industrial methods are good for repeating these new discoveries. For example, Currie grids are good to discover new glazes. Materials analysis and glaze calculation are good for control.
We have a prejudice toward factory technique and methods, but it
does not invalidate technologies that have been developed over 10s of thousands of years.
Hamada said:
A friend said we should embrace ALL change:
You need a stable foundation to work out from. We have many new expressions of old forms and many new uses of old forms. Exciting things always happen when cultures meet. If one is flexible
enough to learn.
Tuesday, April 15, 2008
Saturday, April 12, 2008
Re: Hambones Bristol Nuka & Garth Clark Brown, cone 8 electric
On 4/12/08, Eric Hansen
> Hambones Bristol Nuka, cone 8 electric
> 1 Agrilectric MaxFlo Grade 4 (>140 microns) rice hull ash
> 1 North Carolina mixed wood ash, unwashed
> 1 g-200 feldspar
> + 3% bentonite
> + 3% zinc oxide
>
> Garth Clark Brown, cone 8 electric
> 50 North Carolina mixed wood ash, unwashed
> 50 Cedar Heights Red Art Clay
> + 5% Black Iron oxide
>
> I liked the interaction of the 2 glazes. The best example of the nuka
> glaze was over the lowest iron content in the porcelain. In general
> the zinc wasn't a big help, in fact it promotes a sand paper feeling
> texture. I was expecting a matte opaque with crawling, what I got was
> a clear with patches of gloss and matte alternating, pooling glossy in
> the bottom.
>
Re: Hambones Bristol Nuka & Garth Clark Brown, cone 8 electric
On 4/12/08, Eric Hansen
> Hambones Bristol Nuka, cone 8 electric
> 1 Agrilectric MaxFlo Grade 4 (>140 microns) rice hull ash
> 1 North Carolina mixed wood ash, unwashed
> 1 g-200 feldspar
> + 3% bentonite
> + 3% zinc oxide
>
> Garth Clark Brown, cone 8 electric
> 50 North Carolina mixed wood ash, unwashed
> 50 Cedar Heights Red Art Clay
> + 5% Black Iron oxide
>
> I liked the interaction of the 2 glazes. The best example of the nuka
> glaze was over the lowest iron content in the porcelain. In general
> the zinc wasn't a big help, in fact it promotes a sand paper feeling
> texture. I was expecting a matte opaque with crawling, what I got was
> a clear with patches of gloss and matte alternating, pooling glossy in
> the bottom.
>
Re: Hambones Bristol Nuka & Garth Clark Brown, cone 8 electric
On 4/12/08, Eric Hansen
> Hambones Bristol Nuka, cone 8 electric
> 1 Agrilectric MaxFlo Grade 4 (>140 microns) rice hull ash
> 1 North Carolina mixed wood ash, unwashed
> 1 g-200 feldspar
> + 3% bentonite
> + 3% zinc oxide
>
> Garth Clark Brown, cone 8 electric
> 50 North Carolina mixed wood ash, unwashed
> 50 Cedar Heights Red Art Clay
> + 5% Black Iron oxide
>
> I liked the interaction of the 2 glazes. The best example of the nuka
> glaze was over the lowest iron content in the porcelain. In general
> the zinc wasn't a big help, in fact it promotes a sand paper feeling
> texture. I was expecting a matte opaque with crawling, what I got was
> a clear with patches of gloss and matte alternating, pooling glossy in
> the bottom.
>
Re: Hambones Bristol Nuka & Garth Clark Brown, cone 8 electric
On 4/12/08, Eric Hansen
> Hambones Bristol Nuka, cone 8 electric
> 1 Agrilectric MaxFlo Grade 4 (>140 microns) rice hull ash
> 1 North Carolina mixed wood ash, unwashed
> 1 g-200 feldspar
> + 3% bentonite
> + 3% zinc oxide
>
> Garth Clark Brown, cone 8 electric
> 50 North Carolina mixed wood ash, unwashed
> 50 Cedar Heights Red Art Clay
> + 5% Black Iron oxide
>
> I liked the interaction of the 2 glazes. The best example of the nuka
> glaze was over the lowest iron content in the porcelain. In general
> the zinc wasn't a big help, in fact it promotes a sand paper feeling
> texture. I was expecting a matte opaque with crawling, what I got was
> a clear with patches of gloss and matte alternating, pooling glossy in
> the bottom.
>
Re: Hambones Bristol Nuka & Garth Clark Brown, cone 8 electric
On 4/12/08, Eric Hansen
> Hambones Bristol Nuka, cone 8 electric
> 1 Agrilectric MaxFlo Grade 4 (>140 microns) rice hull ash
> 1 North Carolina mixed wood ash, unwashed
> 1 g-200 feldspar
> + 3% bentonite
> + 3% zinc oxide
>
> Garth Clark Brown, cone 8 electric
> 50 North Carolina mixed wood ash, unwashed
> 50 Cedar Heights Red Art Clay
> + 5% Black Iron oxide
>
> I liked the interaction of the 2 glazes. The best example of the nuka
> glaze was over the lowest iron content in the porcelain. In general
> the zinc wasn't a big help, in fact it promotes a sand paper feeling
> texture. I was expecting a matte opaque with crawling, what I got was
> a clear with patches of gloss and matte alternating, pooling glossy in
> the bottom.
>
Friday, April 11, 2008
Song Of Work
To work each day is healthy
There is nothing work can't do Anything can be work
Even in tasks that one dislikes is found work
You will be suprised at the extent its power gives
There is nothing that work doesn't know
It will teach you anything you ask
It will fulfill anything you wish for
The things that work likes best are
To do with the things that require suffering
And suffering will be defeated by work
So then-- for all of us, Lets rejoice.
--Kanjiro Kawaii
Labels: mingei kawaii folkcraft