Bill Geisinger asked about Hank's Copper Yellow.....
..... which must be fired in Oxidation to C9_10, and loves soak in Ox
during the cooling around 1900F. Thickness sensitive!
..... which must be fired in Oxidation to C9_10, and loves soak in Ox
during the cooling around 1900F. Thickness sensitive!

....... sort of resemble several spyholes!
The Chaire is about 2.25" h, and the Mizusashi has a Bubinga lid.
....................I use this one for bulk storage of ordinary
Sencha. 8" h, copper 'yellow' glaze.

....... and a "3 sages" carved knob.........
....... look for them at your local bead store.
......and glazed with Bev's 'Tortoiseshell' scrap glaze.
.......... using a Degussa stain in the celadon base.
........ on a natsume(teajar) glazed with Bev's 'Night' scrap glaze.
...... no scratches on the furniture!
..... And the piece is ready for adding a handle, bisquing, and glazing.
......until the foot is flattened a bit........
.....and when there's enough clay moved out in this way........
.... both stoneware and porcelain, for Liz to take home....... warm,
like Jane and her daughter!
..... It was good to be able to honor my old mentor and partner in
the Venice PotShop in this way, 18 years after her passing.

........ and distributed to her family and friends.
..... to make a glaze of her Mother's ashes so she could glaze some
tiles she made in my studio last May. I used "Cory's Weird" as a
base, in part because Cory met Jane before he died in a tractor
accident. I subbed Jane's ashes for 16% of the 32% bone ash called
for in Cory's recipe, which is published in Ian Currie's "Revealing
Glazes". Here are the tests, striped with Yellow Degussa stain, FE,
Fe/Ru, FE, & FeP on stoneware, and CoMelange, FE, and Fe/Ru on
porcelain.
All glazed with Hank's Shino, from all parts of the kiln, showing a
range of place-dependant effects.